Technical Studies Lecture Series: “The Cosmic Economy of Eladio Dieste” Prof Remo Pedreschi, University of Edinburgh Thursday, December 5, M416, Marylebone Campus, 18:30

When: Thursday, 5th of December, 18:30

Where: M416, Robin Evans Room, 35 Marylebone Road, London NW1 5LS

Eladio Dieste (1917-2000) was a Uruguyan engineer who studied in the Faculty of Engineering at the University of Montevideo. In his book on the work of Dieste, The Engineer’s Contribution to Contemporary Architecture: Eladio Dieste, Remo Pedreschi explains that Dieste’s university education was formative and crucially provided him with the fundamentals of maths and physics, which was so instrumental in his conception of structures. Some of the earliest work that Dieste undertook as an engineer was on concrete shell structures and on first glance whilst studying projects such as his free-standing vaults for ANCAP in Montevideo (1955) you could easily be forgiven for thinking that they were fabricated out of reinforced concrete. In fact, these shells were made from a unique system devised by Dieste of clay bricks reinforced with steel cables and cement. As with other great structural ‘artists’ of that period such as Felix Candela and Pier Luigi Nervi, Dieste was engineer, builder (and latterly architect) of his projects. He established the firm Dieste y Montañez in 1955 and as Remo Pedreschi explains “…the firm was in effect, a major design and build contractor that had developed its own innovative construction techniques.”

Remo Pedreschi is a chartered engineer and Professor of Architectural Technology at the University of Edinburgh. He joined that university after holding senior positions in the construction industry and continues to work with industry. He has undertaken research in a range of materials including concrete, steel, timber, and stone and currently is Director of the Master’s programme in Material Practice. He obtained his PhD for research in post-tensioned brickwork and has published a number of scientific papers in his area. This research led to his interest in the work of Eladio Dieste. He developed and co-edited a series of books exploring the relationship between engineering and architecture, The Engineer’s Contribution to Architecture, for which he wrote the monograph on Eladio Dieste. Remo was also the co-author of the seminal Fabric Formwork book.

For lecture details contact Will McLean

w.f.mclean@westminster.ac.uk

https://technicalstudies.tumblr.com/

History and Theory Open Lecture Series: Peg Rawes “Housing, Biopolitics, and Care” – Tuesday 6th February, 18:00, Robin Evans Room (M416)

The History and Theory Open Lecture Series for the academic year 2017/2018 begins today, with Peg Rawes‘ lecture “Housing, Biopolitics, and Care”.

When: Tuesday, 6th February, 18:00

Where: Robin Evans Room (M416), Marylebone Campus

Peg Rawes is a Professor in Architecture and Philosophy, Programme Director of the MA Architectural History, and a PhD Supervisor for Architectural Design and Architectural History and Theory PhD Programmes at the Bartlett, UCL. Trained in art history and philosophy, her research and teaching focus on material, political, technological and ecological histories and theories of contemporary architecture and art. She regularly gives talks in the UK, EU and overseas, and has recently been invited to give lectures at the Universidad de Buenos Aires, University of Regensburg, University of Minnesota, Iowa State University, The British School in Rome, KTH Stockholm, London School of Economics, KADK Copenhagen and TU Delft.

Other speakers in the series will include:

  • 20th February, 17:15, M416: Emma Cheatle (Newcastle University) “As/saying Architecture: A Ficto-Spatial Essay of Lying-in”
  • 27th February, 18:00, M416: Tilo Amhoff (University of Brighton) “Architectural History and Theory Between Labour and Capital, 1967-1977”
  • 6th March, 18:00, M416: Lindsay Bremner, Andrew Peckham, Douglas Spencer (University of Westminster) “On Archipelago: Three Perspectives”
  • 13th March, 18:00, M416: Mark Dorrian (University of Edinburgh) “Auto-Affection: On Michael Webb’s Sin Centre and the Drawing of Mobility”