Tag: Maddalena Laddaga

LFA 2022 + UoW: The African Off-Grid Housing Project | Monday, June 20, 2022 from 17:00 to 19:00 (BST) | Online Event

Posted on by Mirna Pedalo

When: Monday, 20th of June 2022, 5pm-7pm

Where: Online Event

The talk will disseminate the results of the African Off-grid Housing [AOH] research project developed at the School of Architecture & Cities of the University of Westminster thanks to the support of the Global Challenge Research Fund / UKRI.

The talk is curated by the [AOH] Principal Investigator Dr Paolo Cascone in collaboration with the Research Associate Maddalena Laddaga, with the aim  to animate an open discussion on innovative design to build methodologies towards affordable and self-sufficient housing solutions for sub-Saharan Africa. Therefore the [AOH] research team will be in conversation with a panel of international experts from different backgrounds, to discuss possible synergies and developments, among the others:

  • Conor Black / Arup
  • Dr Claudia Loggia and Dr Viloshin Govender / University of KwaZulu-Natal
  • Vincent Kitio / Chief Urban Energy Unit / UN-Habitat
  • Prof Mark Raymond / Director of the GSA / University of Johannesburg

To attend, please register here.

Recording of the “How will we live together? Westminster at the Venice Biennale” event is now available online

Posted on by Mirna Pedalo

Recording of the online event that celebrates University of Westminster‘s work exhibited at the prestigious 2021 Venice Architecture Biennale (22nd May-21st Nov), which took place on the 9th of June 2021, is now available for viewing here.

Academics based within the College of Design, Creative and Digital Industries have co-produced three different installations to respond to the theme: How will we live together?

At the event, we hear more about the ideas underpinning each piece of work, and – given the fundamental themes they address – discuss how architecture and practice based research can help us to better understand the world’s most pressing challenges.

Following an introduction to the three installations, Ifor Duncan, an academic based at Ca’ Foscari University of Venice, responds to the work. These contributions are followed by a panel discussion and questions from the audience.

More details about the installations and the academics involved are provided below.

Monsoon Assemblages (led by Lindsay Bremner) and Office of Experiments (led by Neal White) have created an immersive installation that challenges and redefines ideas of border, scale and agency. It draws on climate data and field work to convey how climate change and the Anthropocene are resulting in increasing monsoon volatility, shorter rainy seasons and more frequent extreme weather events. The installation investigates these events through the flight of the Globe Skimmer dragonfly that follows the monsoon from east Africa to southeast Asia and back again. Video footage of the dragonfly collected during field work is projected into the exhibition space highlighting the vulnerability of the dragonfly to shifting monsoonal dynamics.

In a collaboration with the V&A Museum, Shahed Saleem’s Pavilion looks at the self-built and often undocumented world of adapted mosques to explore contemporary multiculturalism in London. The work explores three different case studies that illuminate stories of immigration, identity, and community aspiration. The cases are the Brick Lane mosque, a former Protestant chapel then Synagogue; Old Kent Road mosque housed in a former pub; and Harrow Central mosque, a purpose-built space that sits next door to the converted terraced house it used to occupy. The Pavilion is partly carpeted, as in a mosque, and these stories are explored through 3D architectural reconstructions, filmed interviews and photographs.

The African Fabbers School video-installation project, curated by Paolo Cascone and Maddalena Laddaga, proposes an innovative research by practice agenda for the next generation of European and African architects. The African Fabbers School [AFS] is an itinerant laboratory of ecological design and self-construction for community-oriented projects between Europe and Africa. This ecosystem of site-specific projects has structured an abacus of paradigmatic design to build modus operandi based on a learning by doing methodology. Thanks to the interaction between people from different backgrounds (including African artisans, local communities, European students) the [AFS] investigates the relationships between traditional knowledges, advanced design processes and digital manufacturing.

Respondent

Ifor Duncan is a Post-doctoral fellow in Environmental Humanities at the Center for the Humanities and Social Change, Ca’ Foscari University of Venice. He is a writer and inter-disciplinary researcher, with a PhD from the Centre for Research Architecture, Goldsmiths. His research concerns the relationships between political violence and watery spaces and materialities. Previously Ifor taught at the CRA and in the School of Architecture at the Royal College of Art.

How will we live together? – Westminster at the Venice Biennale | Wednesday, June 9, 2021, 16:00-18:00 (BST)

Posted on by Mirna Pedalo

When: Wednesday, 9th of June 2021, 16:00-18:00 (BST)

Register: https://www.eventbrite.co.uk/e/how-will-we-live-together-westminster-at-the-venice-biennale-tickets-155634983425

Join us for an online event that celebrates University of Westminster‘s work that is being exhibited at the prestigious 2021 Venice Architecture Biennale (22nd May-21st Nov).

Academics based within the College of Design, Creative and Digital Industries have co-produced three different installations to respond to the theme: How will we live together?

At the event, we will hear more about the ideas underpinning each piece of work, and – given the fundamental themes they address – discuss how architecture and practice based research can help us to better understand the world’s most pressing challenges.

Following an introduction to the three installations, Ifor Duncan, an academic based at Ca’ Foscari University of Venice, will respond to the work. These contributions will be followed by a panel discussion and questions from the audience.

More details about the installations and the academics involved are provided below.

Monsoon Assemblages (led by Lindsay Bremner) and Office of Experiments (led by Neal White) have created an immersive installation that challenges and redefines ideas of border, scale and agency. It draws on climate data and field work to convey how climate change and the Anthropocene are resulting in increasing monsoon volatility, shorter rainy seasons and more frequent extreme weather events. The installation investigates these events through the flight of the Globe Skimmer dragonfly that follows the monsoon from east Africa to southeast Asia and back again. Video footage of the dragonfly collected during field work is projected into the exhibition space highlighting the vulnerability of the dragonfly to shifting monsoonal dynamics.

In a collaboration with the V&A Museum, Shahed Saleem’s Pavilion looks at the self-built and often undocumented world of adapted mosques to explore contemporary multiculturalism in London. The work explores three different case studies that illuminate stories of immigration, identity, and community aspiration. The cases are the Brick Lane mosque, a former Protestant chapel then Synagogue; Old Kent Road mosque housed in a former pub; and Harrow Central mosque, a purpose-built space that sits next door to the converted terraced house it used to occupy. The Pavilion is partly carpeted, as in a mosque, and these stories are explored through 3D architectural reconstructions, filmed interviews and photographs.

The African Fabbers School video-installation project, curated by Paolo Cascone and Maddalena Laddaga, proposes an innovative research by practice agenda for the next generation of European and African architects. The African Fabbers School [AFS] is an itinerant laboratory of ecological design and self-construction for community-oriented projects between Europe and Africa. This ecosystem of site-specific projects has structured an abacus of paradigmatic design to build modus operandi based on a learning by doing methodology. Thanks to the interaction between people from different backgrounds (including African artisans, local communities, European students) the [AFS] investigates the relationships between traditional knowledges, advanced design processes and digital manufacturing.

Respondent

Ifor Duncan is a Post-doctoral fellow in Environmental Humanities at the Center for the Humanities and Social Change, Ca’ Foscari University of Venice. He is a writer and inter-disciplinary researcher, with a PhD from the Centre for Research Architecture, Goldsmiths. His research concerns the relationships between political violence and watery spaces and materialities. Previously Ifor taught at the CRA and in the School of Architecture at the Royal College of Art.

Decolonising Performative Architecture Seminar Series: “Sustainable Architecture in the Digital Era” Hanaa Dahy, BioMat, ITKE, University of Stuttgart, Tuesday, March 16, 2.00pm GMT | Online

Posted on by Mirna Pedalo

When: Tuesday, 16th of March at 2.00pm GMT

Blackboard link: https://eu.bbcollab.com/guest/a1f67e76494344a3ba9b0a002be29c38 

The seminar is organised by Paolo Cascone, Yota Adilenidou and Maddalena Laddaga in the frame of Architecture and Environmental Design DS3A “Decolonising Performative Architecture” seminar series.

Hanaa Dahy is a registered architect, engineer and material developer who established in the frame of her professorship the research department BioMat (Bio-based Materials and Materials Cycles in Architecture) as a Junior Professor at ITKE (Institute for Building Structures and Structural Design) since July 2016 at the Faculty of Architecture and Urban Planning in the University of Stuttgart. She earned her PHD from ITKE in Stuttgart in 2014 with Excellence and earned her Bachelors and Master Degree in ‘Architectural Engineering’ in 2003, 2006 respectively from Ain Shams University in Cairo with Honors. Hanaa developed, designed and manufactured a number of innovative sustainable building products that were widely presented in international exhibitions and attracted a lot of industrial interests. Among other research areas, she is particularly interested in biomimetic principles, sustainability and their impact on architectural practice and applications. She has pending European and international patents, earned the best of Materials and Design award (Materialica) in Munich in 2015 and the Material Prize award (MaterialPreis) in 2016 from the Design Center of the state Baden-Württemberg in Germany, a fellowship for the innovation of university-teaching in 2017, a number of research/industrial project funds and is a member of a number of European and international scientific and professional bodies. Her teaching and training are in the area of architectural design, composites, structure and materials, smart systems, fabrication and biomimetics 

Decolonising Performative Architecture Seminar Series: “Italian Pavillion 2021: Exaptation and Serendipity” Alessandro Melis , University of Portsmouth, Curator of the Italian Pavilion – Venice Biennale 2020/21, Monday, March 15, 2.00pm GMT | Online

Posted on by Mirna Pedalo

When: Monday, 15th of March at 2.00pm GMT

Blackboard link: https://eu.bbcollab.com/guest/0c1eb0958d304a78a4b51396245b91fd 

The seminar is organised by Paolo Cascone, Yota Adilenidou and Maddalena Laddaga in the frame of Architecture and Environmental Design DS3A “Decolonising Performative Architecture” seminar series.

Dr. Alessandro Melis RIBA ARB AOU, is a full professor of architecture innovation at the University of Portsmouth and the Director of the Cluster for Sustainable Cities in the UK. In 2019, he was appointed by the Italian Minister of Cultural Heritage (MIBAC) as the curator of the Italian Pavilion at the 17th International Biennale of Architecture in Venice 2021, and in 2020 Ambassador of Italian Design on behalf of the Italian Minister of Foreign Affairs. Previously, at the University of Auckland, he was the head of the technology area and director of postgraduate engagement at the School of Architecture and Planning. In the period 2010-2013 he has been the Director of Urban City Lab at the Institute of Architecture of the university of Applied Arts Vienna (Die Angewandte, Vienna) and visiting professor at the Foster Foundation, and in Germany (Anhalt University, Dessau). He holds a PhD in architecture design from the University of Florence. He has been an honorary fellow at the Edinburgh School of Architecture. He has also been invited as a to speak at the China Academy of Art, the University of Cambridge, the MoMA New York, TED, the Italian Institute of Culture in London, and the UNESCO Headquarters in Paris. He is a visiting critic at UCL Bartlett, Architectural Association London, SCI-Arc Los Angeles, RMIT Melbourne, TU Berlin, Florida International University, and New York Institute of Technology. In 1996, he founded Heliopolis 21, a multi-awarded architecture practice based in Italy, Germany, and the UK. The SR1939 Institute of the University of Pisa, the Stella Maris Hospital, and the Auditorium of Sant’Anna, inaugurated by the president of the Italian Republic, Sergio Mattarella, are acknowledged both in scholar publications and in popular magazines as examples of excellence in sustainable design. The recognition of Alessandro’s research is corroborated by a record of over 150 scientific publications and by as many citations, including in popular periodicals such as Wired, the New York Times, the Independent, Reuters, and the Conversation. His work was the object of several exhibitions and of a recent monograph (Rome, 2020) edited by Giuseppe Fallacara Chirico, titled “Alessandro Melis, Utopic Real World.” 

Decolonising Performative Architecture Seminar Series: “Earthen Towers” Stephanie Chaltiel , MuDD Architects, Tuesday, March 9, 2.30pm GMT | Online

Posted on by Mirna Pedalo

When: Tuesday, 9th of March at 2.30pm GMT

Blackboard link: https://eu.bbcollab.com/guest/a1f67e76494344a3ba9b0a002be29c38

The seminar is organised by Paolo Cascone, Yota Adilenidou and Maddalena Laddaga in the frame of Architecture and Environmental Design DS3A “Decolonising Performative Architecture” seminar series.

Stephanie Chaltiel is a French architect and interior designer working with innovative techniques and natural materials offering unique designs for each project. She began her career in Mexico and French Guyana building by hand with local dwellers houses. After working for Bernard Tschumi in New York, OMA and Zaha Hadid she started her own practice. Her award winning projects marrying cutting edge technology and raw materials (ACADIA, MIT 2017, part of the ICON Design 100 talents 2019 and Dezeen Awards Winners Highly commended mention) has been presented and exhibited worldwide. She taught at SUTD Singapore, Westminster London, AA London, Ravensbourne London, and at the architectural school of Brighton and more recently at Elisava Barcelona. She was also during 4 years an EU Marie Curie scholarship recipient when she developed the drone spray technology for sustainable architecture and refurbishments. She’s a partner at www.muddarchitects.com .

Decolonising Performative Architecture Seminar Series: “Think Global, Act Local” Farzana Gandhi, New York Institute of Technology – School of Architecture and Design, Monday, March 8, 2pm GMT | Online

Posted on by Mirna Pedalo

When: Monday, 8th of March at 2pm GMT

Blackboard link: https://eu.bbcollab.com/guest/0c1eb0958d304a78a4b51396245b91fd

The seminar is organised by Paolo Cascone, Yota Adilenidou and Maddalena Laddaga in the frame of Architecture and Environmental Design DS3A “Decolonising Performative Architecture” seminar series.

Farzana Gandhi is Registered Architect in New York and a LEED Accredited Professional. Her architecture and planning practice, Farzana Gandhi Design Studio, focuses on sustainable and socially conscious solutions, both locally and abroad. Recent work includes a primary school in Senegal, Africa; community visioning and streetscape design in East Harlem, NY; resiliency strategies and NYCHA campus connectivity in Inwood, NY; and replicable, modular infrastructure for Puerto Rico. Farzana is most interested in how widespread social impact can be achieved at the intersection of architecture and its environmental, cultural, and socioeconomic framework. Her deep commitment to community outreach is driven by deep inquiry, investigation, and integration. Early this year, Farzana also cofounded Collective Infrastructures, a multidisciplinary design lab confronting complex societal challenges with unique comprehensive response. To build a community based on social and environmental resiliency, the team creatively coordinates a rethinking of social, economic, cultural, environmental, educational, medical, and technological infrastructures in disaster hit and/ or disadvantaged neighbourhoods. Farzana frequently lectures about her work, which has been recognised globally through publications, exhibitions, awards and honours. Farzana is also tenured Associate Professor of Architecture at the New York Institute of Technology, where she teaches across the design studio and visualisation sequence and pursues multidisciplinary design research focused on social impact design. Farazana earned a Master in Architecture with Distinction from the Harvard Graduate School of Design. At the University of Pennsylvania, she graduated Phi Beta Kappa with Bachelor of Arts in Architecture, as well as a Bachelor of Arts in Spanish with Distinction. 

Principal, Farzana Gandhi Design Studio |  www.farzanagandhi.com Associate Professor of Architecture, New York Institute of Technology 

Decolonising Performative Architecture Seminar Series: “Six strategies for a more participatory architecture” Giancarlo Mazzanti, El Equipo Mazzanti, UCL, Thursday, February 25, 3pm GMT | Online

Posted on by Mirna Pedalo

When: Thursday, 25th of February at 3pm GMT

Blackboard link: https://eu.bbcollab.com/guest/0c1eb0958d304a78a4b51396245b91fd

The seminar is organised by Paolo Cascone, Yota Adilenidou and Maddalena Laddaga in the frame of Architecture and Environmental Design DS3A “Decolonising Performative Architecture” seminar series.

Giancarlo Mazzanti is the founder of El Equipo Mazzanti, social values are at the center of Mazzanti’s architecture. He seeks to realize projects that give value to social transformations and build communities, and has dedicated his professional life to improve quality of life through the design of the environment and the idea of social equality. His work has become a reflection of the current social changes occurring in Latin America and Colombia, showing that good architecture manages to build new identities for cities, towns, and inhabitants, and transcend reputations of crime and poverty.  

Amongst some of his most relevant projects are the International Convention Center, Biblioteca España, and the South American Games Coliseums, all in Medellín, Colombia. Works in other areas of Colombia include the Tercer Milenio Park, El Porvenir Kindergarten in Bogota, Timayu Kindergarten in Santa Marta, Pies Descalzos School in Cartagena, and Marinilla Educational Park. Mazzanti graduated from Javeriana University in Colombia, with postgraduate studies in industrial design and architecture in Florence, Italy. He has experience as a visiting professor in Colombian universities, as well as in world-renowned universities such as Harvard University, Columbia University, and Princeton University. He is also the first Colombian architect to have his works in the permanent collection of the Museum of Modern Art in New York and in the Centre Pompidou in Paris. 

Decolonising Performative Architecture Seminar Series: “Architecture for Automation” Mollie Claypool from the Bartlett School of Architecture, UCL, Tuesday, February 23, 2pm GMT | Online

Posted on by Mirna Pedalo

When: Tuesday, 23rd of February at 2pm GMT

Blackboard link: https://eu.bbcollab.com/guest/a1f67e76494344a3ba9b0a002be29c38

The seminar is organised by Paolo Cascone, Yota Adilenidou and Maddalena Laddaga in the frame of Architecture and Environmental Design DS3A “Decolonising Performative Architecture” seminar series.

Mollie Claypool is an architecture theorist working on issues of social justice including the future of housing, labour and work. She is concerned with the social and economic implications of new technologies and automation on architectural production and disciplinary practices. She is Director of Automated Architecture Ltd (AUAR), a design and technology consultancy and Co-Director of AUAR Labs at The Bartlett School of Architecture, UCL where she has been a Lecturer since 2015. Mollie is co-author of Robotic Building: Architecture in the Age of Automation (Detail Edition 2019) and author of the SPACE10 report “The Digital in Architecture: Then, Now and in the Future” (2019). 

Joint online lecture by Tumpa Husna Yasmin Fellows and Paolo Cascone, Tuesday, February 16 from 3.30pm GMT

Posted on by Mirna Pedalo

When: Tuesday, 16th of February at 3.30pm GMT

Blackboard link: http://eu.bbcollab.com/guest/a1f67e76494344a3ba9b0a002be29c38

The lecture is organised by Paolo Cascone, Yota Adilenidou and Maddalena Laddaga in the frame of Architecture and Environmental Design DS3A “Decolonising Performative Architecture” seminar series.

Tumpa Husna Yasmin Fellows is a Senior Lecturer and a Course Leader for BSc Architectural Technology (Year 2) at the School of Architecture and Cities, University of Westminster. She’s an award winning British architect who co-founded the inter-disciplinary practice Our Building Design (in 2018), the charity Mannan Foundation Trust  (in 2012), and the two organisations that promote and support architects from the ethnic minority in the UK: FAME Collective and Asian Architects Association. She is a senior lecturer at the University of Westminster where her teaching draws on her research methodologies on interdisciplinary approach to design. Her practice-based research focuses on community participatory methods and architectural responses to the changing climate, landscape and social practices in the UK and Bangladesh. Tumpa was awarded the Royal Institute of British Architects (RIBA) Rising Star Award in 2017 and she has received a commendation for the RIBA President’s Award for Research in 2019. For her architectural work, she received the SEED/Pacific Rim Community Design Network Award 2018 and Architecture Sans Frontieres Award 2017 (commendation). In June 2019, Tumpa was appointed to be on the Design Review Panel for the Southwark Council Planning Department in an advisory role.

Paolo Cascone was born in Italy and grew up between West Indies and East Africa. He started his research between urban ecologies, digital fabrication and self-construction during his Master’s at the AA-School in London, and continued it while accomplishing a PhD in Environmental Engineering at the University of Rome. Paolo has started to teach ecological design at ENSAP – Malaquais and ESA schools of architecture  in Paris where he founded CODESIGNLAB. His work has been exhibited widely and published in international design magazines. Paolo is a scientific director of the African Fabbers School and a Senior Lecturer in Environmental and Architectural Design at the University of Westminster.