Where: M321, Marylebone Campus, 35 Marylebone Rd, NW1 5LS
When: Tuesday, 21st June 2022 at 2pm
To join online please go here: https://eu.bbcollab.com/guest/a8b04a2558aa464a8d91ad23c4e4189d
Where: M321, Marylebone Campus, 35 Marylebone Rd, NW1 5LS
When: Tuesday, 21st June 2022 at 2pm
To join online please go here: https://eu.bbcollab.com/guest/a8b04a2558aa464a8d91ad23c4e4189d
When: Thursday, 19th of November at 6pm
Event Link (no need to register): https://eu.bbcollab.com/guest/ef03d69ea2934064a205c2159e77e760
It is always a pleasure to welcome back former students and we are delighted to host a talk by Kristofer Adelaide (School of Architecture alumnus, 2009). Kristofer Adelaide Architecture (KA–A) was established in 2016 and is formed of a diverse range of architects, an artist, and accounts and management team. They are a young BAME led practice based in South London. KA–A employs a diverse team of ARB registered Architects, Designers, Architectural Assistants and a BIM Coordinator. They share resources with other architects when required as part of the London Architects Group and Paradigm networks, promoting BAME representation in the built environment.
KA—A have developed an excellent reputation, obtaining difficult planning consents and successfully delivering projects across London and the South East. These consents have varied from small extensions and alterations in conservation areas, through to new build and multi-unit schemes. Our clients have been a mixture of private residential and medium scale developer led schemes. The practice has recently developed – the Architecture for (the) Reasonably Ordinary (A.F.R.O) House – A concept dwelling, that uses modular construction to satisfy high housing demand, with quality manufacturing, working toward a zero-carbon and passive design standard. Inspired by the Garden Cities movement, this initiative seeks to provide affordable housing in a flexible, scalable way to meet local demand.
In October KA–A were awarded RIBA London practice of the month, and the practice were recently one of Seven practices shortlisted to pitch ideas for post-pandemic housing that addresses the needs of young people to a panel led by residential developer HUB. In August 2020 they were one of six practices selected for the Brick by Brick – housing infill project in Croydon, working in partnership with the Stephen Lawrence Trust.
AHRA 2020 Housing and the City conference online only. Information on fees and registration will be communicated at the end of the month.
Hosted by the Architecture, Culture and Tectonics Research Group, Department of Architecture and Built Environment, University of Nottingham
Given the changes to our lives brought about by the current Covid19 pandemic, we are sending a short additional call for papers for this year’s AHRA International Conference, Housing and the City, as follows:
Housing and the City After the Pandemic
The primary question asked by the original AHRA 2020 conference call was this: what does it mean to be at home in the city in the twenty-first century? As the world continues to fight the rapid spread of Covid19, we might not yet be in a position to substantively rethink this question, let alone to predict a new urban reality of segregation and containment. However, we invite you to reflect and speculate on how the effects of the pandemic will shape our lives, how it challenges our conception of the home and the city, and how it affects the complex relationships between the individual and the collective, the public and the private. We ask how it might affect the dynamism of the urban.
We invite contributions in the form of individual papers or roundtable discussions, as well as submissions in a range of media, for example film, artwork or photography, that reflect and speculate on how the pandemic will shape our urban lives into the future.
Expressions of interest should take the form of an abstract of 300 words, be submitted via the conference website, by 30 June 2020.
You should submit your abstract by visiting our EasyChair account here:
https://www.nottingham.ac.uk/conference/fac-eng/ahra-2020/index.aspx
Conference dates: 19, 20, 21 November 2020 (Virtual Conference)
Featured Image: © Atelier Z+& Ye Xu
When: Thursday, 12th of March, 18:30
Where: Robin Evans Room (M416), Marylebone Campus, University of Westminster, NW1 5LS
Neave Brown received the RIBA’s Gold Medal in 2018 in recognition of his contribution to the architecture of housing. David Porter worked with him for many years and will use an unpublished Dutch project, the super-dense Projekt Zwollsestraat, to reflect on Brown’s more famous housing projects in Camden: Alexandra Road and Fleet Road. He will explore his approach to the making of architecture and urban space.
David Porter is an architect, urbanist and educator. He was Professor of Architecture at the Central Academy of Fine Art, Beijing (2012-8); President of the Architectural Association (2015-8); and Head of the Mackintosh School of Architecture, the Glasgow School of Art (2000-11). From 2011-14 he was also Adjunct Professor in the School of Architecture & Design at the Royal Melbourne Institute of Technology.
Formerly a partner in Neave Brown David Porter Architects working on high-density urban projects in the Netherlands, David was also a founding partner of Clements & Porter Architects, is a Fellow of the Royal Incorporation of Architects of Scotland and of the Royal Society of Arts, and a Trustee of Jacksons Lane, North London’s creative performance space. He now teaches in the BA Architecture course here at the University of Westminster.
When: Mon 30 April 2018, 18:30 – 21:00
Where: RIBA, 66 Portland Place, London, W1B 1NR
Registration: https://www.eventbrite.co.uk/e/refugee-shelter-design-building-and-engagement-tickets-43742106819?aff=es2
‘Toward Healthy Housing for the Displaced’, the winning entry to the RIBA President’s Awards for Research 2017 Housing category, was written by a team of researchers from the Department of Architecture & Civil Engineering at the University of Bath.
Their work highlights the neglected issue of indoor environmental conditions that displaced people are exposed to; conditions that are often extreme and can have serious implications for the health of the occupants. The reality is that there are 10’s of millions living in these ‘temporary’ camps, which often endure for years on end. Using literature review and collecting on-site longitudinal data and occupant interviews from camps in Jordan, the team sought to understand and document the range of climatic conditions faced by those living in the camps, the problems caused and the adaptions made to alleviate the situation.
With projects involving displaced peoples and camps making a regular contribution to the RIBA President’s Awards for Research, we have invited other leading researchers to present their work and provide a broader perspective on this often overlooked aspect of shelter for displaced people.
We invite you to join the discussion, along with researchers in-the-field, to explore ongoing efforts to improve the conditions of the many that find themselves forced from their homes and their normal lives.
Speakers:
#PARPresents
What makes an estate, and what does it mean to be part of one? What do estates embody and how do they act as vehicles for change, or resistance to change? These questions form the research context for an emerging networking project which examines the concept of the estate as a model for developing and managing housing. The plan is to set up a network of academics, professionals and users with the aim of developing a deeper understanding of the estate from history and from current developments, and to then disseminate this knowledge and help shape more informed future practices in the field.
Julian Williams is an architect, Principal Lecturer and BA Architecture Course Leader at the University of Westminster.
Where: Erskine Room (M523), Marylebone Campus
When: 15 February 2018, 13.00–14.00
ALL WELCOME!
The History and Theory Open Lecture Series for the academic year 2017/2018 begins today, with Peg Rawes‘ lecture “Housing, Biopolitics, and Care”.
When: Tuesday, 6th February, 18:00
Where: Robin Evans Room (M416), Marylebone Campus
Peg Rawes is a Professor in Architecture and Philosophy, Programme Director of the MA Architectural History, and a PhD Supervisor for Architectural Design and Architectural History and Theory PhD Programmes at the Bartlett, UCL. Trained in art history and philosophy, her research and teaching focus on material, political, technological and ecological histories and theories of contemporary architecture and art. She regularly gives talks in the UK, EU and overseas, and has recently been invited to give lectures at the Universidad de Buenos Aires, University of Regensburg, University of Minnesota, Iowa State University, The British School in Rome, KTH Stockholm, London School of Economics, KADK Copenhagen and TU Delft.
Other speakers in the series will include:
Lecture organised by Alessandra Cianchetta and Juan Pinyol, MArch DS24 studio leaders and tutors
When: Wednesday, 14th February, 18:00
Where: Robin Evans Room, M416, Marylebone Campus
Ute Schneider studied architecture and urban planning at the technical universities of Constance, Stuttgart, Karlsruhe and Delft. During her studies she worked in various German and Dutch internationally operating architectural offices, among others with Neutelings Riedijk Architekten in Rotterdam where she continued her professional career after graduation. In 1998 she founded the multidisciplinary office zipherspaceworks in Stuttgart working within the disciplines architecture urbanism & design.
In 2003, Ute Schneider began working with KCAP. Since 2006 she established KCAP’s Swiss office in Zurich and got appointed director in 2009. Since 2016 she became partner of KCAP. In this position she is responsible for the management of the office and in charge of the coordination of KCAP Zurich’s projects spanning from architecture and urban planning to the design and development of masterplans and transformation strategies in various scales and context’s. She has a focus on transport oriented developments like the masterplans for Europaallee, the Airport Region Zürich, the Airport City of Dublin, Gare TGV Montpellier, divers station precincts in Switzerland, MUC Airsites, CAG and Jurong Lake District Singapore.
In addition to her work as an architect and urban planner, she was involved in various exhibitions and publications about KCAP. She is regularly invited for lectures, as guest critic and teacher at various international universities and regularly participates in juries. Since 2012, she is responsible for the integration of urban design at the University of Liechtenstein.
KCAP Architects&Planners is a Dutch office for architecture, urban design and urban planning, founded by Kees Christiaanse in 1989. During the last 25 years KCAP has established itself as one of the leading international practices in the fields of architecture and urbanism. With a multi-disciplinary approach to complex design issues, KCAP has gained extensive experience in large-scale urban design and master planning, waterfront redevelopments, campus design and public transportation hubs. Architectural designs range from housing, education and care to public and utility buildings and mixed-use programs. KCAP develops concepts and visions that address sustainability, urbanization and infrastructure. KCAP is connected to various urban research programs. KCAP is based in Rotterdam and has two branch offices in Zurich (CH) and Shanghai (CN). KCAP Zurich was established in 2006 a er winning two international design competitions in Zurich. KCAP Shanghai, established in early 2011, and supports KCAP’s growing portfolio in China.
Hello and welcome to Part 2 of our report on OPEN2017.
Here we bring you some of the MArch RIBA Part II, Interior Design (BA Hons) and Architectural Technology (BSc Hons) students’ work, which had been on show in our Marylebone studios from June 15th until July 2nd.
The MArch programme is underpinned by critical agendas, which through its studio culture, are explored as speculative realities. […] The evolving nature of the city, environmental intervention, digital craft, cinematic investigations of space, chance operations, spaces of conflict, industrial regeneration – these are just some of the themes explored by staff and students. (Darren Deane, Course Leader, OPEN2017 Catalogue)
DS10 lead by Toby Burgess and Arthur Mamou-Mani believes that architecture should be fun and is obsessed with giving the students an opportunity to build their own projects in the real world. The studio is focused is on physical experiments tested with digital tools for analysis, formal generation and fabrication. This year, students worked on three different briefs: From Symbols to Systems: Pavilion Proposal, Pavilion Construction and The Big Plan. The three briefs are 3 steps towards a creation of a pavilion for Burning Man 2017. This year’s field trip was to the utopian city of Auroville and the many temples of Hampi Valley.
DS11 lead by Andrew Peckham, Dusan Decermic and Elantha Evans, had chosen Budapest as the location and focus of their studio projects this year. This choice was directly related to an initial interest in the constitution of twin cities, where twinning as a theme might be understood at different scales: from a transnational context to that of the city itself, its urban districts and interiors. The studio developed three short study project themes, however the main Year One design project was Reconfiguring the Baths, and the Year Two design thesis associated with Architectures of Stasis and Flux. Both were introduced before the visiting Budapest and conducting a city survey.
DS12 lead by Ben Stringer, Peter Barber and Maria Kramer, focused on imagining and designing densely populated and ‘publicly owned’ city island villages in the Thames Estuary, a project that intersects issues of housing, industry, ecology and environment. A key issues that studio deals with is a severe shortage of housing in London and the construction of the Thames Tideway ‘super-sewer’, which will help bring new life to estuary ecology. Both were taken as catalysts for imagining new and better modes of existence and new ways of designing the cities. At the beginning of the second semester students went on a field trip to India, where they visited three big cities: Delhi, Ahmedabad and Mumbai.
DS13 lead by Andrew Yau and Andrei Martin operates as an applied think-tank, performing cultural analysis and design research. This year the studio focused on the role, relevance and political agency of architecture in contemporary cultural landscape defined by affect, mood, atmosphere and sensation. This was done through the context of Hong Kong’s urban transformation.
DS15 lead by Sean Griffiths, Kester Rattenbury and Ruby Ray Penny studies ‘chance’ as a design method via the transposition into architectural design of the American composer John Cage’s aleatoric techniques for musical composition. The studio’s approach encourages students to divest themselves of existing prejudices, tastes and preconceptions in the development of inventive design processes that challenge the underlying assumption that design is rational, linear and preordained activity predicated on intentionality.
DS16 lead by Anthony Boulanger, Stuart Piercy and Callum Perry returned from a sabbatical this year to continue to build on an ethos that challenges students to create experimental spatial design project that are informed by a critical response to social, cultural, political and economic contexts with an emphasis on an engagements with materials and an understanding of craft. The year began with an intense 5-week creative collaboration with the ceramics expert Jessie Lee at the Grymsdyke Farm. From there the investigation shifted to Porto, Portugal, which became a base for the main individual design project, where students conceived their own briefs and conducted their research.
DS18 lead by Lindsay Bremner and Roberto Botazzi has been participating in the research agenda of Monsoon Assemblages since 2016, a 5-year ERC funded project taking place in three cities in South Asia: Chennai, Dhaka and Delhi. These cities are places where neoliberal development is conspiring with changing monsoon patterns to produce floods, heatwaves, outbreaks of disease or water shortages and making urban life increasingly vulnerable. In 2016/17 the studio began simulating monsoon rain as a way to develop its programme and aesthetics. The students visited Chennai where they were hosted by the School or Architecture and Planning at Anna University.
DS20 lead by Gabby Shawcross and Stephen Harty uses film to design and represent architecture. The aim of the studio is to explore animated relationships between architecture and occupants, simulate moving experiences of space, describe dynamic events and speculate on future scenarios. The year the students looked at motion in architecture and architecture in motion. They made journeys through space (quick direct routes and choreographed spatial sequences) in search of architecture that permits encounter and elicits delight.
DS21 lead by Clare Carter, Gill Lambert and Nick Wood is interested in edgelands. Working within a post-industrial landscape, the studio made a proposition for revitalising and re-imagining the town of Doncaster and its former mining colonies. The year began with a forensic study of the land, resulting in richly illustrated mappings, followed by production of artefacts which came as a result of working with the material culture of local communities. The major design project Doncaster Works had students speculating on the idea of a resurgent Doncaster, whether to make a new civic space, repurpose an existing structure or suggest a new industrial infrastructure for the town and its environs.
DS22 lead by Nasser Golzari and Yara Sharif aims to create a strong link between the practice, research and academia, so this year the studio continued ‘research by design’ journey across ‘absent’ and uncertain landscapes where time and mobility have become irrelevant. Looking at the Mediterranean sea as a prototype for hyper-connected and enduringly fragile world of present, leading to the edges of the Red Sea, Dead Sea and Persian gulf, the students tried to unpack the and expose the hidden layers and dynamic potential of coastal cities.
Light and Flight is a collaborative project between DS22, Palestine Regeneration Team (PART) and Golzari-NG Architects, in collaboration with Amos Trust. Exhibited at the OPEN2017, the project was also part of London Festival of Architecture (LFA). The installation celebrates notion of memory – this year’s theme at the LFA.
Interior architecture is a distinct context-based practice concerned with re-reading, re-using and altering an architectural shell. Whether at the scale of the city, a building, or a room, the ‘interiorist’ always starts with something and within something. By altering those structures, Interior Architecture allows a building to have many different lives. London is our campus and projects this year included study spaces in the Victoria and Albert Museum, installations at Wilton’s Music Hall, live-work dwellings on Columbia Road and a broadcasting facility in Unity House, Woolwich. (Ro Spankie, Course Leader, OPEN2017 Catalogue)
Year 1: lead by Lara Rettondini (Module Leader), Sue Phillips, Yota Adilenidou, Allan Sylvester, Matt Haycocks
In the first year, students on the BA Interior Architecture course are introduced to underlying concepts and principles associated with the discipline and learn fundamental processes, skills and techniques relevant to conceive and develop, resolve and communicate spatial design proposals. They are also get to grips with the use of graphic design, CAD and 3D modelling software, as well as the Faculty’s Fabrication Lab. The projects undertaken over the course of the first year range from short-term tasks in semester one, followed by a study space design for researcher-in-residence at the Victoria and Albert Museum, to the interior design of a small building in semester two.
Year 2: lead by Matt Haycocks, Mike Guy, Mohamad Hafeda, Tania Lopez Winkler, Alessandro Ayuso (semester one includes: Julia Dwyer, Diony Kypraiou, Ro Spankie)
This year the students were asked to look at two very different buildings: Wilton’s (a Victorian music hall in London’s East End) and Unity House (a marine engineering workshop on the banks of the Thames in Woolwich). Both studio projects were focused on the role of the existing building fabric in the process of regeneration, but also the role politics and the place play in interpreting the present and imagining the future. In semester one the students joint the third year students to work on the ideas related to domesticity and home, then worked on design proposals for the temporary inhabitation of Wilton’s Music Hall and finally in semester two they devised their own proposals for the adaptation and reuse of Unity House.
Year 3: lead by Ro Spankie, Alessandro Ayuso, Diony Kypraiou, Matt Haycocks (semester one includes: Julia Dwyer, Mike Guy, Mohamad Hafeda, Tania Lopez Winkler)
Third year students started this academic year working together with second year students on a joint project Home Acts. The aim was to explore an idea of home constructed through acts and rituals, rather than brick and mortar. Their own experience of home was then rehoused to a public realm, culminating into an installation and/or performance at Wilton’s Music Hall. The final Major Project in BA Architecture is self derived with students selecting their site and setting their programme.
Architectural Technology offers specialism in the technological, environmental, material and detailing decisions necessary to solve design problems. It requires sound understanding of design process, design and architectural composition, construction technology, and management tools for the effective communication of design information. (Virgina Rammou, Course Leader, OPEN2017 Catalogue)
This year, the second year students were asked to design a nursery school for 85 children and the third year students a new building for White Cube Galleries.
Year 2: lead by Adam Thwaites, Paul Kalkhoven, Tabatha Harris Mills, Virginia Rammou
Year 3: lead by Adam Thwaites, Paul Smith, Tabatha Harris Mills, Virginia Rammou
Make sure you like and follow our Instagram and Twitter pages, as we plan to reflect back on the OPEN2017 throughout the month of July.
Happy summer everyone!