Panel Discussion: “Dressing / Undressing the Landscape” with DS22 tutors Yara Sharif and Nasser Golzari, Rich Mix, Saturday, March 9, 14:00-16:00

How can communities outside the Middle East, including diaspora, engage in influencing the decolonization of public space and architecture?

Alongside the exhibition, a panel discussion on the Arab cities of Mosul, Baghdad, Riyadh, Ramallah, Beirut, Damascus and Gaza will take place to unpack their vanishing landscape and the way it is being ‘Dressed and Undressed’. Notions such as Home, re-production, re-construction and re-imagination of space will be interrogated by different researchers through film, drawings and mapping.

This event is FREE and open to all but registration is essential to attend.

To book please go to: https://www.eventbrite.co.uk/e/dressingundressing-the-landscape-panel-discussion-tickets-57315042836

The event will be organised by PART and the panel discussion will be led by PhD students and researchers from the University of Westminster and University College London.

Curator Yara Sharif invites guests to explore the concept behind the exhibition, and its importance as an alternative lens into a world of responsive architectural design.

The discussion will address the social and environmental issues of colonisation, where foreign architecture and spatial design can demolish not only functional space, but with it, layers of history, culture, memory and identity.

Chair : Dr Nasser Golzari

Panelists: Dr Murray Fraser & Yara Sharif

Exhibitors:

  • Palestine Regeneration Team (PART)
  • Yara Sharif
  • Hemali Rathod
  • Julia Topley
  • Sakiya: Art, Science, Agriculture
  • Sahar Qawasmi
  • Rim Kalsoum
  • Hiba Al-Safi
  • Nuha Hansen
  • Angeliko Sakellariou
  • Dana Nasser
  • May Sayrafi
  • Samar Maqusi

AWAN, which is about to enter its 5th edition, showcases the work of contemporary Arab women artists in the UK, Europe and beyond, providing opportunities for artists and audiences to celebrate, be informed and network whilst exposing new audiences to the work of emerging and established artists.

AWAN is produced by Arts Canteen and supported by Rich Mix London

Call for Papers: Island Dynamics Conferences – Svalbard (Norway) & Macau (China) – Various deadlines

Calls for papers for three Island Dynamics conferences taking place in the first half of 2019

  1. DARKNESS, 13-17 January 2019, Svalbard
  2. Special Territorial Status and Extraterritoriality, 20-24 January 2019, Svalbard
  3. Culture in Urban Space: Urban Form, Cultural Landscapes, Life in the City, 8-12 April 2019, Macau, China

1. DARKNESS, 13-17 January 2019, Svalbard

http://www.islanddynamics.org/darknessconference.html

This multidisciplinary conference explores cultural and environmental aspects of darkness. Darkness is a recurring motif: as chaos and void in mythological narratives; as an aesthetic choice or driver of adaptation in architecture and design; as a marker of hidden activity on the dark web; as a source of dread, beauty, or awe in literature and film; as an ambiguously attractive quality in dark tourism; as an ideal threatened by light pollution; as a symbol of otherness in colonial encounters.
Darkness and the impossibility of visual orientation often connote danger, uncertainty, malice, even moral ruin. Indeed, darkness plays so central a role in our understandingof terror that it is deemed worthy of note when a horror film succeeds in terrifying us in the daylight (The Wicker Man (1973), Picnic at Hanging Rock (1975)). Both in the past and today, Western colonialism has addressed its own anxieties by projecting them onto the non-European “dark places of the earth,” as Conrad puts it in Heart of Darkness (1899). Darkness can also be appealing. Tourists are drawn both to the illicit thrill of visiting sites of tragedy and violence and to the humbling majesty of the polar night. In a densely populated world, natural darkness is an increasingly rare experience, leading to the establishment of International Dark Sky Sanctuaries where the stars of the night sky remain visible.

About Longyearbyen, Svalbard: Longyearbyen (population 2200) is the world’s northernmost town, the main settlement in the vast Svalbard archipelago. Although Svalbard is under Norwegian jurisdiction, this arctic outpost is so remote and its environment so harsh that it was first permanently inhabited in the early 20th century. Longyearbyen was founded as a coal mining town and hosts an arctic sciences university centre, yet life here today increasingly revolves around tourism: both during the summer, when the sun never sets, and in winter, when the sun never rises. The polar night lasts from late October until mid-February. Delegates will have the opportunity to experience the northern lights (aurora borealis) and the deep darkness of the arctic wilderness.

About the conference: Delegates will arrive in Longyearbyen on 13 January. On 14 and 17 January, delegates will take excursions out into Svalbard’s spectacular Arctic landscape and industrial heritage: 1) a trip into the polar night by dog sled and 2) a visit to one of Longyearbyen’s old coal mines. (The precise excursions are subject to weather.) Conference presentations by delegates will be held on 15-16 January at Radisson Blu Polar Hotel Spitsbergen. Registration covers five dinners and all conference activities.

How to make a presentation: 15-minute presentations are welcome on any aspects of darkness in culture and the environment. The deadline for abstracts is 30 June 2018. You can submit your abstract here. The deadline for early registration is 31 July, and the final deadline registration 31 October.

If you have any questions, please e-mail convenor Anne Sofia Karhio.

2. Special Territorial Status and Extraterritoriality, 20-24 January 2019, Svalbard

http://www.islanddynamics.org/extraterritoriality2019.html

This conference explores tangible consequences of territories subject to exceptional forms of governance or jurisdiction: enclaves and exclaves, autonomous zones, reservations, reserves, domestic dependent sovereignties, export processing zones, sham federacies, subnational island jurisdictions, overseas territories, military installations, protectorates, realms, free-trade zones, and any other forms of specially designated territory, the status of which creates identifiable outcomes. These outcomes include (but are not limited to) territorially conditioned differentiations in: economic policies and practices; inward or outward migration; culture, language, and traditions; health; Indigenous self-determination; military alliances and installations; scientific and research practices; environmental issues; jurisdictional capacity; and diplomatic or paradiplomatic practices.

About Longyearbyen, Svalbard: Longyearbyen (population 2200) is the world’s northernmost town, the main settlement in the vast Svalbard archipelago. Svalbard is under Norwegian jurisdiction and is administered by a Governor appointed by the Norwegian state. Nevertheless, the terms of the Svalbard Treaty (1920) have placed significant limits on Norway’s ability to control immigration to and economic activity in this distant territory. Longyearbyen is home to residents of over 40 nationalities, Russia runs the mining town of Barentsburg, and the settlement at Ny-Ålesund hosts research stations from more than a dozen countries. The polar night, when the sun never breaches the horizon, lasts from late October until mid-February.

About the conference: Delegates will arrive in Longyearbyen on 20 January. On 21 and 24 January, delegates will take excursions out into Svalbard’s spectacular Arctic landscape and industrial heritage: 1) a trip into the polar night by dog sled and 2) a visit to one of Longyearbyen’s old coal mines. (The precise excursions are subject to weather.) Conference presentations by delegates will be held on 22-23 January at Radisson Blu Polar Hotel Spitsbergen. Registration covers five dinners and all conference activities.

How to make a presentation: This interdisciplinary conference welcomes presentations addressing any region of the world as well as innovative perspectives that highlight the complex intersections of multiple peoples, places, and polities. Presentations last 15 minutes and will be followed by around 5 minutes’ question time. The deadline for abstracts is 30 June 2018. You can submit your abstract here. The deadline for early registration is 31 July, and the final deadline registration 31 October.
If you have any questions, e-mail convenor Zachary Androus.

3. Culture in Urban Space: Urban Form, Cultural Landscapes, Life in the City, 8-12 April 2019, Macau

http://www.islanddynamics.org/cultureurbanspace.html

The city cannot be understood in terms of its buildings, infrastructure, and physical geography alone. Urban materiality is inextricably linked with city life: Urban spaces are influenced by the cultures that inhabit them, and urban form shapes these cultures in turn. This conference brings together researchers, planners, designers, and architects from around the globe to explore the mutual influence of urban culture and urban form.
Impacts of past urban planning reverberate long after original rationales have become obsolete: Fortifications (walls, moats, fortresses), coastlines and land reclamation, transport infrastructure (roads, bridges, city gates), and other elements of the built environment structure future development. Aspects of urban form contribute to dividing the city into neighbourhoods, determining which areas flourish while others decay, encouraging shifts from industrial to tourism to leisure uses. The city’s architectures affect the cultures of the people who use them: Different kinds of housing foster different forms of sociality or isolation, and different networked infrastructures promote different pathways to the internal cohesion and/or citywide integration of urban cultures. Whether urban cultural landscapes evolve gradually over time or result from decisive, top-down planning, they reflect and influence the city’s multitude of identities, industries, cultural politics, ethnic relations, and expressive cultures.

About Macau: In 1557, Portugal established a colony on Macau, then a sparsely populated archipelago in the Pearl River Delta. Macau developed into a major trading centre and regional leader in the gambling industry. Macau became a self-governing Special Administrative Region of China in 1999. Macau’s islands were expanded through land reclamation over time. The spatial limitations arising from the territory’s enclave geography led to extreme yet phased urban densification. Macau is today the most densely populated territory in the world, with 650,000 residents concentrated in just 30.5 km², primarily on the 8.5 km² Macau Peninsula. Yet despite its small size, Macau Peninsula is a place of strong neighbourhood and functional distinction, encompassing heritage tourism zones; Buddhist, Taoist, and Christian religious sites; residential districts at all income levels; casino zones; green parks; and retail districts.

Although Macau is best known for its gambling tourism and UNESCO World Heritage status (both of which are characterised by strict regulatory regimes), Macau Peninsula in particular is rich in vernacular urban and architectural practices that flourish alongside, above, and sometimes beneath the city’s internationally oriented facade. The simultaneous preservation of colonial heritage and construction of monumental casino tourism infrastructure means that, despite the withdrawal of Portuguese colonial rule, the culture, traditions, and lifestyles of the Chinese people of Macau continue to be pushed to the margins of this hyper-dense city, necessitating creative spatial practices and clear differentiations between spaces for tourists and residents. At the same time, in an atmosphere of Western suspicion toward China, Macau’s decolonisation and re-Sinification is often framed in terms of culture loss, a framing that paradoxically echoes discourses surrounding Indigenous activism. Macau’s urban space thus contains and conditions complex negotiations regarding cultural authenticity, visibility, and practice.

About the conference: ‘Culture in Urban Space’ allows delegates to contextualise knowledge and engage with the local community. On 8-10 April, delegates will explore the morphological and cultural distinctions of Macau Peninsula, visiting diverse neighbourhoods across the city, with an emphasis on the ways in which the urban environment has transformed over the centuries. Delegates will experience Macau’s urban environment through three days of walking-based field trips, including visits to tourist gateways, religious sites, heritage tourism zones, and residential neighbourhoods, and casino zones, and commercial areas. Conference presentations will take place on 11-12 April. Special emphasis will be placed on negotiations of meaning within the urban environment, particularly in the aftermath of colonialism and other forms of cultural encounter.

How to make a presentation: This interdisciplinary conference welcomes presentations addressing any region of the world as well as innovative perspectives that highlight the complex intersections of multiple peoples, places, and polities. Presentations last 15 minutes and will be followed by around 5 minutes’ question time. The deadline for abstracts is 31 August 2018. You can submit your abstract here. The deadline for early registration is 31 October, and the final deadline registration 30 December.

If you have any questions, e-mail convenor Adam Grydehøj.

Prix W 2018: Competition for Students and Young Architects – Deadline 16th April

Prix W 2018: Competition for Students and Young Architects

For 12 years, the Wilmotte Foundation has promoted the positive interaction between architectural heritage and contemporary design through the W Award, dedicated to students and young architects.

For this 8th edition, the Willmotte Foundation is pleased to ask the participants the opportunity to give a fresh start to the Fort de Villiers, located in the Parisian inner ring. They will have to use the “architectural grafting” and turn it into a complex dedicated to innovation, sport and culture. The projects will have to be in line with the organization of the Paris 2024 Olympics but not limited to it.

The best projects, selected by an international jury, will be remunerated, exhibited in Venice at the Gallery of the Wilmotte Foundation, and published in a book dedicated to the competition.

All information related to this competition can be found on www.prixw.com

The submission deadline is April 16, 2018.

Featured image: Gallery of the Wilmotte Foundation in Venice.