Call for manuscripts for a special issue of the journal Architecture and Culture: “Spiritual, sacred, secular. Places of faith in the twenty-first century” | Deadline: January 15, 2022

Spiritual, sacred, secular. Places of faith in the twenty-first century

The special issue of Architecture and Culture (Volume 11 Issue 1) seeks to broaden notions of how the sacred, spiritual and secular are imagined and constituted through new architectures. We invite expansive interpretations of faith, religion and spirituality and the spatial and architectural encounters between them. We are interested in innovative faith practices and spaces, and welcome contributions that address the spatial implications of the rising phenomenon of online gathering and worship, necessitated by the Covid pandemic.

The journal invites articles which might explore (but not be limited to) the following themes:

  • The significance of gender in worship, design and construction
  • Style and iconography
  • Shifts in demographics and populations
  • Shifts in theology/narratives of the secular and post-secular
  • Transnational links
  • Modes of production – vernacular techniques and craft skills and mechanization
  • Adaptive reuse and mixed use spaces
  • Multi-faith spaces
  • Community participation and engagement
  • Heritage and identity
  • Continuity and change/tradition and innovation
  • Places of worship in post-conflict territories
  • Funding, budgets, finance and stakeholders
  • Virtual and material spaces
  • Impacts of the pandemic on space and worship
  • Secular ritual

The journal aims to publish a selection of articles from both established and early career scholars. It will also seek perspectives from practitioners (architects, artists and heritage professionals), stakeholders and members of faith communities.

For more information please go here: https://think.taylorandfrancis.com/special_issues/spiritual-sacred-secular-places-faith-twenty-first-century/

Kate Jordan is a Senior Lecturer in Architectural History and Theory at the University of Westminster. She publishes and lectures widely on modern-era Christian architecture: recent publications include her co-edited volume Modern Architecture for Religious Communities, 1850-1970: Building the Kingdom and ‘Places of Worship in a Changing Faith Landscape’ in 100 Years, 100 Churches. Her research on Victorian magdalen convents was shortlisted for the 2016 RIBA Presidents Award for Research. She is currently working on contemporary church architecture, a subject on which she regularly contributes articles and reviews for RIBAJ. In June 2019, she organised a conference entitled ‘Spiritual, Sacred, Secular: The Architecture of Faith in Modern Britain’, co-hosted by the University of Westminster and the RIBA.

Shahed Saleem is a Senior Lecturer at the University of Westminster, and a practising architect. His book, The British Mosque, an architectural and social history, was published by Historic England in 2018 and is the first comprehensive account of this building type in Britain. His architectural design work was nominated for the V&A Jameel Prize 2013 and the Aga Khan Award for Architecture 2016. His research won commendations at the RIBA President’s Medal for Research and Historic England Angel Award for excellence in heritage research, in 2018. He co-organised the conference ‘Spiritual, Secular, Sacred: The Architecture of Faith in Modern Britain’, June 2019, with Kate Jordan.

Call for Papers: “Spaces of Tolerance”, Architecture and Culture Journal – Deadline 15th January 2018

Call for Papers for the next themed issue of Architecture and Culture journal.

Spaces of Tolerance
Vol. 7, Issue no. 1, March 2019
Igea Troiani and Suzanne Ewing, Editors.

 

Academic journal publishing worldwide has become increasingly watched over and policed by funding bodies and institutions demanding that scholarship be seen to have direct and maximized impact for economic gain or return. As Wendy Brown notes, “the move to judge every academic endeavour by its uptake in non academic venues (commerce, state agencies, NGOs), as the British Research Excellence Framework (REF) does, is […] damaging” because “academic practices have been transformed by neoliberal economization”.3 This monitoring, counting, measuring and quantifying frames assessment of the validity of architectural research and limits the exchange between architectural practice and publishing. Within academic institutions, organizational adjacencies of disciplines create conditions of more or less tolerance in judging the value of a wide and diverse range of architectural outputs and the limits of the form/s original and creative architectural research may appear beyond a building design or a traditional 7,000 word scholarly journal article about a building’s history or performance that is double-blind reviewed by expert peers in architecture.

In an effort to recover architectural publishing as a more liberal, yet rigorous, space of production and imagination, this issue of Architecture and Culture seeks to reveal nuances in publishing and associated academic practices which might exceed or distil conventional and accepted disciplinary limitations. It seeks to instigate more open-ended relationships, interpretations and iterations between theory and practice – between textuality, visuality and aurality – to sway between and across more or less disciplinarity with empathy and insight. Contributions are sought from a range of cultural and geographical positions and perspectives that examine any aspect of the discourse, practice and research of architecture as an exploration of spaces of tolerance.

To download full version of call for papers:  https://www.dropbox.com/sh/hs3jqampgpnx5zz/AACDK59VbnNJmSeV-pBNMJ5ba?dl=0

Image: John Hejduk, 13 Watchtowers of Cannaregio, 1978.