RIBA Student Support Fund | Deadline: Friday, December 3, 2021 at 12pm (GMT)

The RIBA Student Support Fund is now open for the Autumn 2021 round of applications!

Students enrolled in RIBA Part 1 and Part 2 courses in the UK and experiencing financial hardship can apply for a bursary of up to £3,000. Guidance notes and application details are available on the RIBA website.

The deadline to apply is 12pm on Friday 3 December 2021.

By the end of December, RIBA will have supported approximately 100 students and researchers by allocating just over £290,000 in scholarships, bursaries, and grants, the highest amount ever awarded by the RIBA in a calendar year. Read more about the recipients of this year’s funding on the Scholarships and Bursaries pages of RIBA’s website.

ArCCAT Climate Action Week: Material ReUse Station Competition winner announced!

Following the completion of the week-long design Student Competition on the ‘Material ReUse Station’ as part of the Climate Action Week (24-29 October) Group 5: The Slice was announced the winner!

Congratulations to Julie Beech (BA Interor Architecture), Adam El Hafedi (BA Architecture), Zuzanna Jodlowska (BSc Architectural Technology) and Ruhan Zaman (BSc Architecture and Environmental Design)

The video made by the winning team can be viewed here.  

Congratulations to the winners and all who participated. Big thank you to all the judges and course leaders Diony Kipraiou, Paolo Zaide, Stefania Boccaletti and Tabatha Mills who organised this cross-UG-course competition, first such initiative in the School.  

The next step will be collaboration with David Scott and the Fabrication Lab to work on building a prototype.

Call for manuscripts for a special issue of the journal Architecture and Culture: “Spiritual, sacred, secular. Places of faith in the twenty-first century” | Deadline: January 15, 2022

Spiritual, sacred, secular. Places of faith in the twenty-first century

The special issue of Architecture and Culture (Volume 11 Issue 1) seeks to broaden notions of how the sacred, spiritual and secular are imagined and constituted through new architectures. We invite expansive interpretations of faith, religion and spirituality and the spatial and architectural encounters between them. We are interested in innovative faith practices and spaces, and welcome contributions that address the spatial implications of the rising phenomenon of online gathering and worship, necessitated by the Covid pandemic.

The journal invites articles which might explore (but not be limited to) the following themes:

  • The significance of gender in worship, design and construction
  • Style and iconography
  • Shifts in demographics and populations
  • Shifts in theology/narratives of the secular and post-secular
  • Transnational links
  • Modes of production – vernacular techniques and craft skills and mechanization
  • Adaptive reuse and mixed use spaces
  • Multi-faith spaces
  • Community participation and engagement
  • Heritage and identity
  • Continuity and change/tradition and innovation
  • Places of worship in post-conflict territories
  • Funding, budgets, finance and stakeholders
  • Virtual and material spaces
  • Impacts of the pandemic on space and worship
  • Secular ritual

The journal aims to publish a selection of articles from both established and early career scholars. It will also seek perspectives from practitioners (architects, artists and heritage professionals), stakeholders and members of faith communities.

For more information please go here: https://think.taylorandfrancis.com/special_issues/spiritual-sacred-secular-places-faith-twenty-first-century/

Kate Jordan is a Senior Lecturer in Architectural History and Theory at the University of Westminster. She publishes and lectures widely on modern-era Christian architecture: recent publications include her co-edited volume Modern Architecture for Religious Communities, 1850-1970: Building the Kingdom and ‘Places of Worship in a Changing Faith Landscape’ in 100 Years, 100 Churches. Her research on Victorian magdalen convents was shortlisted for the 2016 RIBA Presidents Award for Research. She is currently working on contemporary church architecture, a subject on which she regularly contributes articles and reviews for RIBAJ. In June 2019, she organised a conference entitled ‘Spiritual, Sacred, Secular: The Architecture of Faith in Modern Britain’, co-hosted by the University of Westminster and the RIBA.

Shahed Saleem is a Senior Lecturer at the University of Westminster, and a practising architect. His book, The British Mosque, an architectural and social history, was published by Historic England in 2018 and is the first comprehensive account of this building type in Britain. His architectural design work was nominated for the V&A Jameel Prize 2013 and the Aga Khan Award for Architecture 2016. His research won commendations at the RIBA President’s Medal for Research and Historic England Angel Award for excellence in heritage research, in 2018. He co-organised the conference ‘Spiritual, Secular, Sacred: The Architecture of Faith in Modern Britain’, June 2019, with Kate Jordan.

Huge congratulations to Jamie Williamson (MArch DS18 graduate) and Ben Pollock (MArch DS18 tutor) for winning the overall prize and honorary mention respectively in MIT’s “Projection 16 – Visualizing Cities”

A huge congratulations to Jamie Williams, a MArch DS18 student last year and his tutor, Ben Pollock who have won the overall prize (Jamie) and an honorary mention (Ben) for their submissions to MIT’s Projection 16 – Visualizing Cities awards. These awards celebrate data visualizations that analyze city dynamics to inform urban planning practice and advocate for just, safe, and equitable cities.  

Jamie William’s “The Atlas of the Carbon Economy” combined rigorous research and visual storytelling to unpack the geopolitics of carbon trading. It will also be exhibited at a COP26 fringe event – Imagine Glasgow 2021, COP26 Edition hosted by the New Glasgow Society in collaboration with ACAN/ACAN Scotland, Common Wealth and the Architectural Associations Ground Lab.

Ben Pollock’s “Why and Where We Need to Change, London 2020” highlighted the compound effect that social factors, environmental stress, and climate threats have on London neighbourhoods.  

A catalogue of all the projects submitted to MIT’s Projection 16 – Visualizing Cities awards is available at http://visualizingcities-dusp.mit.edu 

Featured images: Jamie Williams Atlas of the Carbon Economy (left) and Ben Pollock Why and Where We Need to Change, London 2020 (right)

VOTE! DS15 graduate Gemma Mohajer shortlisted for Arts Thread Global Design Graduate Show 2021

The work of DS15 and MArch 2021 graduate, Gemma Mohajer has been shortlisted for this year’s Arts Thread Global Design Graduate Show 2021 in collaboration with GUCCI.

The public vote is now officially open, so please follow the below link to vote for her project! It takes about 2 seconds.

https://www.artsthread.com/events/globaldesigngraduateshow/product-architecture-interiors/#/project/the-mycology-institute

Featured image: Gemma Mohajer, The Mycology Institute

Call for Papers: DMJournal – Architecture and Representation | Deadline: Monday, November 22, 2021

DMJournalArchitecture and Representation is a new publication dedicated to the exploration of practices, histories and material cultures of drawing in architecture and related fields. Initiated by Drawing Matter in collaboration with the Edinburgh School of Architecture and Landscape Architecture (ESALA), it builds upon the kind of wide-ranging inquiry into architecture’s graphic forms evident in the rich array of texts that has accumulated over recent years on the Drawing Matter website. This is a resource that now attracts some 15,000 readers each month, from a broad range of disciplines. DMJournal will extend this content by providing a complementary publishing platform that is peer-reviewed and able to host full-length articles. It will promote scholarship that is rigorous, engaging and supple, and that approaches drawing as an expansive and vital area of cultural production.

  1. About
  2. Call for Papers 2021/22
    Architecture and the Geological Imagination (Guest Editor: Kurt Forster)
    Drawing Instruments: Instrumental Drawings (Guest Editor: Paul Emmons)
  3. Submission Process
  4. Issues
  5. Editorial & Advisory Committees

MArch DS15 graduate Michelle Barratt’s painting selected for this year’s Royal Academy Summer Exhibition

Huge congratulations to Michelle Barratt, a DS15 graduate from 2020 whose painting Room was selected to be featured in this year’s Royal Academy Summer Show. The painting was a part of Barratt’s MArch project Technical College, Barking.

Royal Academy Summer Exhibition 2021 features over 1, 000 works selected by the coordinator Yinka Shonibare and a panel of artists under the theme of ‘Reclaiming Magic’.

The exhibitions will be open from the 22nd of September 2021 to the 2nd of January 2022.